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Critical Terms in Caribbean and Latin American Thought: by Yolanda Martínez-San Miguel, Ben. Sifuentes-Jáuregui, Marisa

By Yolanda Martínez-San Miguel, Ben. Sifuentes-Jáuregui, Marisa Belausteguigoitia

Through a set of severe essays, this paintings explores twelve key phrases important in Latin American and Caribbean stories: indigenismo, Americanism, colonialism, criollismo, race, transculturation, modernity, kingdom, gender, sexuality, testimonio, and pop culture. The important query motivating this paintings is tips on how to think―epistemologically and pedagogically―about Latin American and Caribbean experiences as fields that experience had diverse historic and institutional trajectories around the Caribbean, Latin the United States, and the United States.

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At times, the surprise of otherness that comes within this voice awakens in the listener a sense of marvel linked to a “call” to react; however, when this “call” does not happen, what does it suggest about the listener? 6 This impossibility of hearing as an opening to political, textual, and artistic spaces of indigenous voices will become the central question in the emergence of testimonio as a genre in Latin America, which is the topic of the next section. The Subaltern Speaks: Rise and Fall of Latin American Testimonio Latin American testimonio, the production of a written work that is the result of a quasi-ethnographic and literary collaborations between a lettered traditional scholar and an indigenous informant, will be the next crucial moment for the representation of indigenous voices.

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